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Alpha!. If it only the visions of so many hundreds

If its just the vision of so many hundreds, even thousands to see your Seelengefaehrten koenntt who awaken to the realities and the Unterdrueckerjoch from those who represent the dark, would like free!

Ruess G alpha spaceship!

The blessings of sublime beings come from the deepest and most hidden regions of space, blessings to achieve when the mental, astral and physical atmosphere of your planet, all living beings that inhabit the planet to fulfill with love and brotherhood. Your blessings, your good wishes and prayers they have the intention, the Earth and its inhabitants to help, to be attained as a successful ascent, in these very glueckbringenden moments in which your solar system begins to wander through the outskirts of the central sun of the galaxy.

There are so many wonderful souls who incarnated incarnates and not offering their help in these moments of such great importance! If you could see it all, as we see it (not incarnated souls, travelers from distant parts of the galaxy and beyond, the inneriridischen souls who inhabit the interior of the planet and are waiting to welcome you with open arms, and finally , the advanced people are delighted at the Earth) then you would you the support and cooperation with their count at this time!

We, your brothers from the Alpha space ship, only an infinitesimal part of the enormous quantities of beings of light that your three-dimensional plane entered at the moment. They (like us) to offer you our assistance to help you grow spiritually, for it is this inner growth, which allows you to make this leap into the next cycle of Gaia, a cycle that for you, to your great Joy has been reserved.

If its just the vision of so many hundreds, even thousands of your Seelengefaehrten could see that come alive to the realities and the Unterdrueckerjoch from those who represent the dark, would like free!

you tell yourself with determination and strength that you want to be no longer part of the big lie that we have been led to believe you that you wish you do not consider longer as "sinners", but as a divine being by right and inheritance, that the only, original sin is the feeling of guilt that you carry with you because of the mistakes you made in past lives, and that is a product of your imagination, reason, and that their wished for nothing more very soon to live in this three-dimensional scenario. Tell you that you are ready, as brothers and sisters in love, brotherhood and mutual Cooperation in a five-dimensional dimension to exist together.

And if what we say to you, was told by many (it can be achieved, we believe!) Then your climb to new ground and is secured in the short time that you is to experiment in your three-dimensional world, be a fact, because for us there is only the eternal now.

And then we will welcome you as new members of the Galactic Federation, members with full rights that you have achieved with our help, yes, but you have acquired through your own particular merits, Fruits of your efforts of a large proportion of your population, the brave then seeks to get rid of the regressive forces that keep you under control and still insist on it!

But that is a futile effort, for your climb is programmed sent! It is a vain and useless effort, because their days are numbered!

believe it, you who are in deep despair because you are no longer in a (so far) want to live by the dark forces-dominated world. As I have already done countless times , I ask you again to be patient, knowing that this long-awaited day for us all is within reach, and most of you will see him.

I will now go back and trust that you are hopeful, until we receive from the other side of your computer back in touch with you

In early brotherhood, peace and harmony among all people on earth!

peace and love

Source: Commander Sohin

Channel: Kris Won

Translation: Ute

traslation English: Gloria and Steve

websites: www.navealfa.com

http://sohinalatierra.blogspot.com

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culture branding

author SOR, Published in the newsletter of Culture - Management - Policy, Raabe Verlag, November 2010

The brand is considered by many companies as the most important intangible value creator. She takes over "as a mental image in the minds of stakeholders, an identification and differentiation of function and characterizes voting behavior. "(Gabler economic lexicon). With a glut of products on the consumer market, it is an art to establish brands, outsmart the competition. Brands like Apple, Coca Cola, Nike, and Hello Kitty are creating so-called Lovemarks, which loyalty to the product beyond reason, far more than simply the price-performance ratio would be justified. What distinguishes this from other brands, is a very emotional Populated image and a corresponding brand image.
While it is a long way for marketers to a consumer at all brings emotions to everyday consumer products, the name, this is a property that cultural products is inherent. If you ask consumers of culture for the reason for your use of, the visit is often described as "uplifting," "emotional," "liberating," the experience as "spiritual." For culture makes it applies to use this marketing "lead" and to emphasize the emotions to the product brand and actively expand. The Lovemarks Marketing concept is a way to achieve this - with mysticism (great stories, associations of dreams, myths and symbols, inspiration), sensuality (by sound, sight, smell, touch and taste) and familiarity (through empathy, obligation and passion). The approach is always to emphasize that certain something that the brand, emotional also, and above all, apart from other products.
Ordinary marks are neither loved nor respected. They are simply replaced. Without the beloved Lovemarks, we do not believe life can be. So, get your culture brand to brand, Love!

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Dynamic pricing

author SOR, Published in the newsletter of Culture - Management - Policy, Raabe Verlag, August 2010

The dynamic pricing, a business model from the field revenue management enjoys in U.S. cultural institutions in the area of stage increasing popularity. The model has been for decades known in aviation, but can also apply on culture. They advertise the lowest price "from x dollars," this is only for "early bird" and is available for the less popular programs and unpopular places. Should there be a more popular program, another day, a better place to be on it paid.
The formulas for pricing, more complicated - Price Change = (demand-supply quantity) / price adjustment factor - or be very simple. If the average utilization at 70% could be increased from 65% utilization rates by $ 5 for another $ 5 on reaching the loading of 70%, 75% and so further. If the average price at $ 10 more, the price increase amounted to just $ 1.
Some theaters have tried the dynamic pricing despite concerns and have been surprised by how taken for granted the customer the price adjustment. In all known cases, this has resulted in a significant increase in the average price and thus greater revenue out.
The principle to raise prices when demand exceeds supply, can be transferred to the museum area. Visitors to the museum often move to the last weekend of a special exhibition. Why prices could not be increased on these days? Would be consistent dynamic It also orient the prices down, such as weekday or evening hours with fewer visitors.
The key to the success of dynamic pricing is the thorough preparation, the collaboration between IT, marketing and sales, excellent customer service and knowledgeable employees.

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audience participation in the museum

author SOR, Published in the newsletter of Culture - Management - Policy, Raabe Verlag, June 2010

In February 2008, Ludtke one the Luce Foundation Center Smithsonian American Art Museum Internet users mitzuentschieden that painting in the issued by art historians and other researchers visited frequently and publicly accessible repository should be. This sets up the staff of the museum's Flickr group Fill the Gap, which allows users to propose for the freedom of art on the walls, leaving the images that are on loan or restored.

Fill the Gap has a small but potentially groundbreaking step for the mighty Smithsonian Institution, the discussion on the changing role of curators and the public at the Web 2.0 era, the use of the Internet interactively, initiated. End of 2009, called the Smithsonian Institution an initiative under the name Smithsonian Commons to life. Within this initiative, applications and licensing agreements are developed, the other users to download, Distribution and mixing of royalty-free art of the Smithsonian collection on the internet eg on the personal internet pages or in social networks enable. allow

While social networking sites for potential new user participation, they can also help to spread misinformation or dubious opinions and to undermine the authority of curators. This applies to other cultural institutions, universities, publishing houses and newspapers alike: how to reconcile the institutional principles of the new opportunities in the electronic media?

"Museums are often afraid to lose control," says Nina Simon, exhibition designer, who published a book on public participation in museums. If anyone can contribute something to the collection, how are curators and visitors and deal with the potentially endless user-generated content?

The key will be to provide visitors with a set of rules for disposal, categories and themes, which are given by curators. Michael Edson, New Media Director of the Smithsonian Institution, said, that visitor attendance does not necessarily mean loss of control of the trustees: "I think that the public continue to respect the authority to claim the Smithsonian, authority and trust institutions these days but which is recognized differently -. Transparency, speed and visitor orientation "

Ultimately, the viability of Internet-based museum collections from the ability of curators to use technologies that allow visitors to participate without compromising the ability to judge the curators. "There is a difference between power and expertise," says Nina Simon. "Museums will always have the expertise, but should share power."

Follow the newly readable blog by Nina Simon http://museumtwo.blogspot.com/

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innovative concert formats


The most innovative approach, the concert experience making, while was the League of American Orchestra Conference in my opinion, presented to the New World Symphony Orchestra. On 25
January 2011, designed by Frank Gehry new campus, opened a "laboratory for musical education and performance", in Miami. About which, according to the Weinberg principle with a central platform designed room, hangs a blanket that offers a 360 degree projection screens. That is, visual projections will be a key part of the events.

to staging of the room four different formats are provided: first

The 30-minute concert
Beginned at 19:30 and repeated at 20:30 clock, a half hour concert classical music be executed. Advertising for the concerts will exclusively by a are so-called "Street Team" durchgefuhert that on the promenade in South Beach for an evening event promotes. The price of a card will be $ 2.50.
walk on the promenade in front of the hall every year over 5 million people, a big advantage of the site. Who thinks of this offer or to visitors of development? $ 2.50 on every trust in the room, especially if you have to sit 30 minutes still.

second The 1-hour Komponistenportrait
For this format without a break to be used for three blocks to increase seats behind the podium as well as stage. Centrally located to the symphony orchestra, in the blocks behind other ensembles that alternate pieces from other musical Genres (choral works, chamber music, etc.) play the same composer. This thematic projections and the blanket thrown explaining the work of the composer. Ticket price $ 25 on all seats.

third The classical concert ...
there ... even in the concert hall: Overture, Concerto, pause, Symphony for the traditional audience, this tiered ticket prices. Visual projections are used here as an introduction to the program.

4th Disco Nights
By evening 22 to morgends clock by two DJs for the party-addicted audience in Miami on South Beach. Interrupted, the sets of ensembles that play classical music or perhaps in contrast to complement contemporary. Here, too, amounts to the Ticket price $ 25

the way, who still does not trust in the concert hall, can follow the action from outside in the park with a glass of champagne under the palms. All concerts will be projected on the outer wall of the house. Secrecy and listen for free.

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Orchestra League, Day 1, opening event

Thousands of cultural managers, musicians, and consultants gathered on the first day of the conference of the League of American Orchestras for the launch event in Atlanta, Georgia. After a magnificent performance by Ney Rosauros Concerto for Marimba and Orchestra by a local youth orchestra and the usual thanks and greetings, the keynote speaker Ben Cameron resigned from the Doris Duke Charitable Foundation and brought to the podium of the current Position of the orchestra to the point eloquently. The biggest challenge for orchestra, is not the wirtschatfliche situation, but declining visitor numbers and technology to merge with the concert experience.
all been relatively constant demographic factors in U.S. society and therefore the U.S. user culture, age, race, gender, income, etc. Change customer currently radical. Fewer and fewer people are familiar because of the social Change and the rapid degradation of music education with the traditional classical concert experience. The audience stays away and urgent, new concert formats, placement and Kommunkationswege be found. Everything is on the table. The younger
"on-demand generation" It is used to computer games, music, social networks 24 hours a day on call to have available. How then can a classical concert, to keep fixed hours and outside the four walls eigenenn?
Ben Cameron gave the plenary four questions along the way, where orchestras have to be measured: first
What benefit has symphonic music in my community?
second What is the benefit that symphony music alone brings?
third What harm suffered by my community if symphonic music goes away?
4th My orchestra is set up so that I can make this question and its consequences?
The next days will give all parties hope the concert experience with many ideas on the road.

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Orchestra League, Day 1, before the start of

A question that was asked before the conference on this blog and will be discussed at the conference with colleagues from me is "What do American orchestra to Latinos interested in symphony concerts? Or, as minorities are addressed by orchestras? "
much, is the short of replies. American orchestras do much to ethnic minorities for the classical, European cultural tradition rooted in the concert experience to inspire. Here are
Eining facts on this issue. In California, Texas, Washington DC and Hawaii are so-called ethnic minorities (Latinos, African Americans, Pacific Islanders, Asians, Native Americans) are already the majority. Short Facts is that in the states of Arizona, Mississippi, Maryland and New York also be the case. In Los Angelos Latinos are already the majority in the under 18-year old. A young Venezuelan Gustavo Dudamel as there as artistic director and conductor use, is therefore particularly interesting from a marketing perspective.
many questions, to communicate with Latinos as Sprachpraeferenz, household disposable income with which cultural background Latinos identify themselves, many places are often still unanswered. The need for more intensive communication is beyond dispute. In California, Latinos represent represent more than 30% of the population, as a cultural users are represented by single-digit percentage. With Psychograms can often make better predictions than with demographic factors. Many studies are on the way to hopefully provide information about preferences and behavior. Continued ...

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Orchestra R / Evolution

Two more days until the Conference of the League of American Orchestras, the Association of American orchestras, of which I daily Wednesday through Friday from Atlanta will report here. American orchestras are currently pondering the content, economically and structurally significant challenges. The central question is: "How can orchestras in the 21st century remain relevant?" A vote for this and three other questions, one of which during the Expertendinner discussed. Vote with you and follow the debate live in the stream on 16 June at 21.40Uhr http://orchestrarevolution.org/?page_id=821

What topics are of interest also from a German perspective? What questions should I ask for you during the conference to American colleagues and then answer on this blog? Please ask your question as a comment on this article. Thank You!

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Recent discussion the United States: The democratization of philanthropy

author SOR, Published in the newsletter of Culture - Management - Policy, Raabe Verlag, April 2010

Despite a sharp decline in donations (minus 5.7% in 2008 compared to 2007), , the subject of philanthropy increasingly popular. Private people are trying more and more of their individual mission with their donation activities into line. In recent decades, churches and universities ranked in the first place as the recipient of private donations. The largest increase seen organizations that provide direct assistance or support measures such as job creation or the extension of micro credit.
Led by the postwar generation, the Baby Boomers, a change is in the way the donor. The focus shifts from growth-oriented to income-generating investments in the humanitarian and environmental sectors. The younger generations X and Y are increasingly adapting social responsibility.
So-called donor-advised funds, investment funds managed by foundations, and the income will be awarded to the preference of investors to charitable purposes, allow to start Deposits from $ 5000 today a much more affordable entry into the philanthropy than a few years ago was possible.
What can you expect cultural institutions of the change in the way the donor?
The change is distanced from the patronage and management for business-oriented and personal execution of the mission. With the same care as the wealthy Individuals identify donations purposes, they also give the volunteer and the board work in cultural institutions. It is more than to represent this - it's about to personally make a difference. The new dispenser pack with myself and want to actively participate in solving problems.
of the cultural institutions will thus be more willing to 'inclusiveness' demands to donors to provide work spaces. Related to this is however also possible to even greater involvement of institutions in the local community.

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trends Besucherforschung

author SOR, Published in the newsletter of Culture - Management -. Policy, "Raabe Verlag, February 2010
The average U.S. cultural visitor is white, over 45 years, on average formed (at least estend a master's degree) and has an above-average household income, this characterization was since the founding of the first U.S. cultural institutions in the 19 century. But for how long?
The management consultancy McKinsey has created on behalf of the League of American Orchestras (Association of American orchestras) a visitor study conducted in mid-December has been released. The results, with the already published in June, visitors study by the National Endowment of the Arts (Federal Agency for Culture) match should alert U.S. cultural manager. The combined results show a decrease of 29% of visitors in the area of classical music since 1982, 20% of them alone since 2002. Although these figures are comparable to the decline in visitor numbers in other areas of the performing arts, but one question remains: Where are the visitors? The orchestras recently reported increase in visitors is due to the increased participation of multiple visitors back. The proportion of the total population, which takes part in cultural events continues to decline. The visitors also turn gray faster than the general public. Was the visitors' average age in 1982 another 40 years, it had risen in 2008 to 49 years. The average age of the U.S. population rose during the same period from 39 to 45 years. According to studies participation also falls in the elderly been so reliable and educated than average visitors. And another trend is already foreseeable: 2018, the proportion of Hispanic origin population at 20%. How can the European cultural tradition - concert hall, museum, ballet, opera and theater - to remain relevant? The alignment of the programs on a white elite encounters decades of resistance, leading to the creation and promotion of policy led Audience Development, Diversity and Inclusion Aufgabenund initiatives. The U.S. cultural managers must Jezter do their homework: program design for a young generation accustomed to new media and visitors who are not in the European Kulturtradionverwurzelt are just two of many future tasks.
Stay tuned.

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job description music director

announced two weeks ago the president of the Chicago Symphony Orchestra, a group of cultural managers with how high you excited about the commitment of Riccardo Muti's musical director is (especially because he had the job at the NY Phil rejected). With it would begin a new era of the orchestra and the partnership with Muti rich well beyond the podium.
Cincinnati and Philadelphia are still looking for new music directors and the requirements is enormous. Not only must the chemistry between the orchestra and music director in his capacity as principal conductor, and a charisma that sweeps the audience must be present. The first residence should be with the respective orchestras, so the MD for all type of events is available. Auditions, fundraising and public relations are equally important tasks such as sample and concerts.
"From my years in Philadelphia I know exactly what I'm expected to do as music director of an American orchestra," Mr. Muti said. "To be music director of an American orchestra does not mean only to try to make good music with the orchestra for the audience that comes to the hall but to serve the community.
So it is next to the musical also organizational and communication skills. Endless "cuddle" with donors to fundraising events and public speaking are not innate talents. and of course for which the availability of the MD adopted leads, Sun many Europeae the language. This is, moreover, for soloists. Even those who are sitting in Europe at the highest Ross, look at the American guest after the show quickly or drop by for a beer at the student night and then two more hours to spend the MD on a fundraising party. Their music aims to aim to demonstrate commitment and Buergernaehe.
Two factors made the subscriber numbers of American Ochester traditional shooting in the air, the new Muskdirektor or the new concert hall. This was achieved this season either with the new MD in New York nor Los Angeles.
another reason for the music director, say the American orchestra managers, mingle with the crowd and to win friends for the orchestra.

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4 students at the wheel of the Ring experience

For a few years I want to touch again to speak. My largest project, in addition to the upcoming Bachelor thesis, participation in this year's "wheel of the Ring" 24 bicycle race on the legendary Nordschleife 21-22. August. We are a team of four students to join in with the others my brother. Driving is the "Season" process, ie, one is always on the line after each lap (23km, 500HM) is changed. As "Motor Home" we have organized major camper. The motivation is huge with all so that is attempted in the winter have the best possible shape gain. Especially for me, this winter has a huge increase, or I was about 3-4 times a month on a roll now It is just as many times a week on bike. Stefan is also building (my brother) a first-class bicycle light, lest the night stage is to flying blind. How come on, hear the project is unfortunately quite expensive. We will even be printed a few shirts.
If you want to support us or just read it the latest news, I can only recommend our official team blog (DGD Racing Team ).

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CD Tip: Queen Latifah - Dana Owens Album

The " Dana Owens Album " presents the American hip hop musician and actress Queen Latifah 2004, a remarkable jazz album. Interestingly, the title of the panel, for Dana Elaine Owens is the name that was born under the Queen Latifah in 1970 in New Jersey.

Probably the strongest moments on this record, largely in the style of the 60 is arranged, are of Cannonball Adderley's classic " Mercy Mercy Mercy " and the soul classic " Hello Stranger " by Barbara Lewis. But titles like "I put a spell on you" or "California Dreamin '" are real highlights. Overall, the Dana Owens Album arranged very well, mixed, and the musicians are great, including Herbie Hancock and Al Green (duet on "Simply Beautifull"). Great movie!

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The U.S. culture index

Last week, the nonprofit organization Americans for the Arts ", the first National Arts Index. On the basis of 76 criteria, including, for example, income from licenses, Ticketverkaeufe Broadway, museum visits, donations and the number of art students, the situation of the culture industry was assessed. For the year 2008 the index fell by 4.2 percentage points, to to a lesser participation and the decline of donations.

Here are some of the key points are:
- The number of nonprofit cultural institutions has increased from 73.000 in 1998 to 104 000 in 2008. Only one of three institutions was the possibility while economies of the best business location to cover costs.
- The culture industry follows the economic cycle and varies upon directly by consumer spending. A recovery is only for the year 2011 predicted.
- The cultural participation is rising over the Internet, in ethnically and culturally specific organizations, as well as a hobby (painting, pottery, music, etc.). Participation in programs of large cultural institutions is declining steadily.
- Have the Kulturinstituionen part of their market share in donations to other nonprofit purposes including international affairs, disaster relief and Umweltschuz lost.
- The rising demand for arts education for the ages high school and college students (14 - 22 years).

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hit of the day, 05.01.2010

Lalo Schifrin - Theme from Mission Impossible

The pianist, composer , arranger and conductor Lalo Schifrin on 21 June 1932 in Buenos Aires was born. His best known compositions include the title themes of the films cobra you take , Mission Impossible , Mannix, Starsky and Hutch , Petrocelli , Dirty Harry, James Bond etc.

Lalo Schifrin learned at the age of six years playing the piano. Even in his youth, he developed his interest in jazz. With 20, Schifrin applied at the Conservatoire de Paris where he studied beiOlivier Messiaen and Charles Koechlin. He financed his studies by appearing in the Paris night clubs as a jazz pianist.